Tuesday, March 7, 2017

American Powerviolence: From The West To The Rest

The Blogged and Quartered Record Store is now open. Hundreds of records for sale. Check it out here.

Powerviolence is one of those genres that i find myself coming back to time and time again, both to spin the time-tested classics, and to check out newer bands. It seems there are more PV bands than ever now, and every once in a while i'll find something that hits the spot. Of course, like any genre, nothing comes close to that crucial first wave of bands (roughly between 1989 and the mid '90s). Unlike the majority of today's PV bands who try and emulate Infest and Crossed Out, back in 1990 there was no blueprint, no formula, and all the pioneer bands sounded so different from each other it's almost hard to believe they all fell under the same banner. It was all about bands having their own unique sound and take on the genre. Those original bands were so great because they were influenced by '80s hardcore/punk (as well as some outside influences in many cases) and taking the intensity and speed of classics like Siege, YDI, Youth Korps, DRI and Deep Wound to a new level. These are the bands that will, and have, stood the test of time. Many of today's PV bands are only influenced by other powerviolence bands. Any genre influenced solely by the same genre rarely produces interesting results. But as i said before, there are still great bands out there keeping it all alive. Quite a few in fact.

I won't get into the evolution of powerviolence, and how the dopey moniker came to be. If you're reading this blog then chances are you know as much as i do on the subject.

For me it all starts with Infest.

Clear as day i remember hearing Infest for the first time. Sitting in my dorm room in art school (in Dover NJ) and hearing "Mindless" come on during Pat Duncan's show on WFMU. This must have been around '89 or so. Pat followed up with "Which Side?" and "VYO". After hearing those three songs, i knew that hardcore music was about to change in a big way. Infest was my new favorite band right then and there. A friend in school dubbed the Slave LP for me, and for a long while that's all i played. I couldn't be bothered with anything else. Even 30 years later it sounds killer, and lays waste to pretty much anything considered powerviolence recorded since. Amazing for an album that predates the term by a few years.

It took a while for anything to hit me in quite the same way. Then i heard Neanderthal's "Brain Tourniquet" (once again on WFMU). That song floored me like no other. I still think it's the greatest powerviolence song ever recorded, even though, like Infest, it predates the genre. Soon after i was able to get my hands on the issue of Dear Jesus that came with the Neanderthal / Rorschach split 7". I can't think of a more brutal 2 minutes of audio than the Neanderthal side of that split. And the Rorschach side kills as well, that should go without saying.

I started seriously collecting records around 1990. Every weekend i'd travel to Generation Records in NYC and spend a nice chunk of my paycheck on (mostly) 7" records. This was a great time for underground music. Besides the beginning of powerviolence, the ABC No Rio wave of New Breed bands were in it's origins, as well as all the great emo/indie bands that seemed to spring up overnight. The punk scene was so diverse that it would be common to come home from the record store with records by Man Is The Bastard, Born Against, The World/Inferno Friendship Society and Screeching Weasel. Even though there's been a resurgence of great HC since, i consider 1990-1996 to be the last "golden age". Many of my favorite hardcore and indie records were released during those years. Records that remain favorites today.

One one such trip to NYC i picked up the Man Is The Bastard / Aunt Mary split 7". Like Infest and Neanderthal, that one was a game-changer. The MITB side of that split is still my favorite MITB material ever. They never sounded like that again. In fact, nothing has ever sounded like that record. If they had recorded a full length in that style it would have been my dream record. The AM side rules as well, and i listen to the AM discog quite often. Great stuff, and easily my favorite noise project (not that i know much about the genre). Another great record i bought during that time was the MITB / Crossed Out split. Fuck did that blow me away. It's one of my favorite top-10 HC records of the '90s.

And so it went on... for 6 or 7 years, until (like anything else) it just kind of faded away. By the end of the '90s i had crates upon crates of LPs, 7"s, 10"s, 5"s and even a couple of 6"s. Many i've sold off over the years, the rest i plan on selling soon. I have everything i could ever need on CD or CDR at this point, and i'm too old to not take advantage of the convenience of digital.

OK, enough ranting. In this post i've made available many of my favorite PV recordings. Many of the discographies and anthologies i've posted do not exist as official releases, and i'm starting to think they never will. A lot of these collections were compiled and enhanced by yours truly. In some cases i even made custom covers, something i love doing. I'm really happy with the way most of this stuff came out. Hopefully you feel the same. This is not in any real chronological order, although i started off with the earlier, classic stuff, kinda moved from wave to wave, and ended with a bunch of newer bands. From the West to the rest basically. Hopefully you will find some rare stuff you've either been searching for, or overlooked the first time, and also discover some new bands that just might knock you on your ass. As much as i wanted to include discographies by some greats like Capitalist Casualties, Enemy Soil etc..., i didn't want to step on anyone's bandcamp or Amazon toes.

I tried to keep this post to US powerviolence bands, although i added a few international heavy-hitters at the end. I also tried to include as many out of print recordings as possible, but there may be some stuff posted here that is still available. If any bands out there want anything removed, please contact me and i'll delete it immediately. And, oh yeah, i kept the writing about the music to a minimum, as i didn't want this post to get too out of hand. Enjoy!

30 Easter Eggs this time, mostly related to this post. Good luck.


AMERICAN POWERVIOLENCE


Neanderthal - West Coast Power Violence

I couldn't help but start here. There are so many rips of this monster online, all of them shit. Finally, a nice, clean copy to destroy your ears with. No surface noise or pops. Only the opening track "Crawl" has a bit of a warble sound in the beginning (during the bass intro), but when it kicks in it kicks ass. Play loud, play often. It does NOT get better.

Slap A Ham - Ham Culture

This is just a comp of my favorite Slap A Ham releases. The Capitalist Casualties "Raised Ignorant" 7" which is my favorite CC material, just a flawless record. The Crossed Out / MITB split 7" containing my fave Crossed Out stuff and my third fave MITB stuff after the AM split and the "Abundance of Guns" EP. The Crossed Out side may be the single most influential batch of songs on the powerviolence genre. More riffs have been lifted from these songs than you can count. Am i right? Next is the No Comment "Downsided" 7", considered by many to be the best Slap A Ham release. Such an amazing slab, although it's more in the realm of D.R.I. style fast HC than the more traditional PV assault. Still, they're mentioned in "HSMP", so they're not only powerviolence, but maybe one of the only five that actually are. Ripper from start to finish. Last is the Despise You / Suppression split 7". Gods Despise You blast through 8 tracks like they're out for murder, and i love their cover of the Circle Jerks song "In Your Eyes". All the Despise You EPs rule. As if that's not enough, on the flip is some of my favorite Suppression material. Just noisy, vicious stuff. The split LP with Cripple Bastards is also a banger. As a bonus, i also included nearly 40 tracks from various Slap A Ham releases. All in all, 86 tracks and not one stinker. Gotta love Slap A Ham!

Man Is The Bastard - Sum Of The Rarities

This is a collection of tracks not on any of the CD collection releases. The first 10 tracks are taken from various compilations, and one split, the last 14 tracks are live tracks taken from a KXLU radio set and the "Fiesta Comes Alive" comp on Slap A Ham. Excellent sound throughout. "Funeral For Cargo" is one of my favorite MITB tracks. Sucks it never made it on to the DIYCD. Anyway, it's Man Is The Bastard. Mandatory listening!



Lack Of Interest - Anthology of EPs, Splits and Comp Tracks: 1993-1998

Pulverizing Infest influenced hardcore. 25 tracks taken from 10 releases. My fave is the "Double Whammy" split with Spazz. They really nailed their sound on that one. It's all great though. This collection spans 1993 to 1998, but they continued on for another 15 years.



Crom - The Anvil of Crom: 1993-1997 Recordings

I've always loved the early Crom stuff. Total caveman shit. This is basically everything pre-first LP. Faves are "Rise of The Euphrates" and "Mako". Nobody sounds like Crom, that's for sure. I would have loved to see them live. From what i've read, some of their early shows consisted of 5 minutes of music before devolving into a band wrestling match. Although the early stuff is my fave, the "Cocaine Wars" LP is great. A bizarre mix of metal, powerviolence and samples galore, with a bit of a Despise You feel at times. By the second LP they got a bit too much into their metal parody.



Stapled Shut - Discography: 1993-1997

Early discography of this THC drenched crusty PV band. Heavy, dirty shit. Many of these tracks were also on the "LA Times Demo" from 1996. They had another demo called "Resin Heaven" from 1993.



Short Hate Temper - Discography: 1994-1999

This was a long time in the making. Years. Thanks to my good friend Gen for helping with this. Short Hate Temper was one of the most underrated HC bands of the '90s. I'm pretty sure this is everything they recorded, compiled here in reverse chronological order. Hopefully one day an official SHT discography will see the light of day. Until then...



Hellnation - A Sound Like Shit

This collection contains the first LP "Colonized", two 7"s, a comp track and an unreleased track. My favorite is the s/t 7" from 1991 (included here). The tracks on here are fast and powerful, and songs like "Banana Farm" show how they could incorporate melody into their mayhem. The second LP "Control" rules as well. I could never really get into the later albums where it was like 50 short songs of fast riffs and screaming. I like that stuff in small doses. Maybe i'm just getting old.



Chopping Block - Grizzly Fetish

More madness from the West Coast circa 1991. Infest style vocals, manic music, samples and solos. To my ears there's always been just a little something off-kilter about this EP. Of course that only makes me love it that much more. Grizzly as fuck.



Bllleeeeaaauuurrrrgghhh - The CD +

The triple granddaddy of all PV comps! Every band you could think of and many you couldn't. This is one of those rare achievements where 3 comps crammed with hundreds of songs is far from being just one big blur. This is no novelty  bullshit. These discs are loaded with memorable tracks. Assuck, Infest, Born Against, Capitalist Casualties, Neanderthal, Citizens Arrest, Gasp, MITB and tons more turn in absolute classics. Personal faves are the 3 Can't Deny tracks (been searching like crazy for more from this band), and the AM session which is just insane, and the Buka track which sounds like total mayhem... I could go on and on about these records. Hell, where else are you gonna hear Mouthfart? Even the covers are excellent. Included in the file posted is the CD version on Goatsucker Records, as well as each individual record with separated tracks. Those tracks i found online in a folder called The Unholy Trinity, which sounds really good.



Trevor Fairbanks - Vocal Violence: 1997-1999

I've always loved this guy's vocals, so years back i compiled a collection of all his projects. My fave is the Scalp-Lock 7", which I picked up at a Spazz show at CBGB way back when, on the recommendation of someone (Max) at the show. To me it's a masterpiece of raw, striped down caveman core. Lots of samples from the Jim Jarmusch movie Dead Man. Then there's the more grindy Peter Mangalore 5", and the infamous unreleased Lack of Interest album with Trevor on vocals. I know i'm in the minority on this one, but i prefer the Trevor version than the first released album.


Benumb - Anthology: 1994-2003

Pissed-off West Coast hardcore. Pure audio anger. As you can see by this collection, they were the kings of compilation tracks. Everything they did up to the first LP is great, and this collects pretty much everything aside from the split 7" with Short Hate Temper and the 2 tracks from "The Monster In My Head" comp 7". If anyone has any of those tracks, please get in touch.   



Gasp  - Drome Triler Of Puzzle Zoo People

Gasp were the outsiders of the PV scene. Experimental, sometimes psychedelic PV that sounds like no other band. In the three years they existed they put out a load of great music, including being on at least a dozen comps. This album, released on Slap A Ham in 1998 is my fave.



Gasp - An Earwig's Guide To Traveling

This CD collects all the EPs, splits, comp tracks and unreleased material recorded between 1996 and 1999. The cover remind me some Nurse With Wound artwork, and i wouldn't be surprised if Gasp was a fan. I created the back cover myself as i couldn't find the proper one online. I dig it.



Despise You - Complete Discography So Far

This is a compilation of the "West Side Horizon" CD, the "Possessed To Skate" tracks (my fave), the AnB split, and a few other tracks. All on one disc for your convenience. Some of the most vicious music ever recorded. Gods.



Suppression - Amputated Brain Stem

Discography of everything the mighty Suppression recorded between 1993-2000, taken from over 20 releases. It's all here, from their grindcore roots, to feedback drenched, jazzy hardcore, to straight noise. Such a unique band. My favorite material would be the split LP with Cripple Bastards and split 7" with Despise You. The comp tracks are rippers too. This was put out on Chaotic Noise Productions in 2009 and sounds much better than the discography put out in 2001.



Spazz - La Revancha

I knew i had to represent Spazz in here. I would rather have posted one of the "Sweatin'" comps, but those are available on Amazon, so i went with "La Revancha" which destroys. I've loved Spazz ever since the first 7" came out, and they just kept getting better and better. Plus they have the best retro TV samples.



Infest -Days Turn Black (w/ bonus track)

It wouldn't be a powerviolence post without Infest. This is the EP that came out on Draw Blank in 2013 of leftover tracks from "No Man's Slave", including a Negative Approach cover. The first track is the real banger here. This is a great sounding rip, not one flaw. As a bonus track, i've included the demo track "Peace Test", also from the "No Man's Slave" sessions. The track was re-recorded, cleaned up and even had the title changed for the LP version (i forget what it was called on the album). Anyway, this raw version (taken from the "Dangerously Unstable - Suburban Voice" comp CD) destroys the released version. In fact, as much as i love "No Man's Slave", if the whole album was produced like this track, it would have given "Slave" a run for it's money. Or maybe not, i dunno. "Slave" is like my Bible.


No Less - Lessons

I realize that this is already in the Stinkweed Tribute post, but i wanted to keep all the PV stuff together. One of the most original PV bands of all time, and just one of the most original  hardcore bands period. Groovy Sabbath riffs, innovative grindcore, hip-hop, psychedelia, samples galore... Just amazing. This collection contains 4 extra songs not on the "Lessons" CD.


Tomorrow Will Be Worse

Let's get into some comps for a bit. This is a kick ass comp of West Coast and Japanese PV bands. Originally released as a 4x7" box set that came with a 20 page booklet sleeve containing all the EP covers and the lyrics for each record. Beautiful marbled vinyl to boot, different colors for each record. One of the nicest box sets i own. Every band delivers top notch tunes. The Spazz material (sharing a split with Fuck on the Beach here) was originally recorded for an aborted split 7" with Man Is The Bastard. Each track is about a member of MITB. The cover (both front and back) is a great MITB parody. This would have been a hell of a split. As would the aborted MITB / Despise You split LP.



Audio Terrorism

"The Soundtrack For Weirdness And Blind Hostility". 99 tacks of chaotic noise, put out by Chaotic Noise Productions, along with Satan's Pimp and Heartplug, with the average track clocking in at around 30 seconds. From the well known to the most obscure. A crazy mix of powerviolence, noise, grindcore and power electronics. I colored in the cover, just because it was fun.


Possessed To Skate

This comp reminds me of those great '80s comps like "This Is Boston Not LA", where all the key bands contributed grade A material, even their all time best material in some cases. All the bands are great, but Despise You steal the show here with ten tracks of their most crushing stuff ever. Charles Bronson also deliver some of their best stuff. One of the key comps of the '90s.





Cry Now, Cry Later Vols. 1-2
Cry Now, Cry Later Vols. 3-4

Pessimiser Records outdid themselves with these discs. Originally released as double 7"s starting in 1993 and compiled onto 2 CDS in 1998 with bonus tracks. Some faves would be the alternate version of "Methamphetamine" by Eyehategod which lays waste to the LP version, the early (and sloppy) Despise You tracks, Man Is The Bastards's crushing "Faces of The Man" (they closed with that song when i saw them at CBGB many years ago), and Soilent Green's "Build Fear" just to name a few. You probably already know this, but Factoria De Miedo is actually Fear Factor.



Menus With Manpower

Comp of PV, noise, grind and assorted weirdness. Worth the price of admission for the No Le$$ track "Mammoth", which is not on the band's discography CD, and as far as i know, exclusive to this comp. It's a great, although kinda offbeat track. Three minutes of plodding grove, with lots of samples, record scratching and horns that seem to come out of everywhere. Done as only No Le$$ can do it. Many of the tracks on the comp are taken from other releases, but there are some rare gems as well. Any comp with Black Mayonnaise is OK by me.

We'll get back to more comps later. For now let's move past the West Coast and dig into some of the bands in other areas of the US that the West Coast inspired.



Apartment 213 - '93-'97

Power Tool Violence or Serial Killer Core. Whatever moniker you give it, this heavy PV band from Cleveland, Ohio deliver the Infest influenced goods every time. I interviewed vocalist Chris for my old zine "Off Cycle" in the late '90s, and for someone who screams about murderers, he's the nicest guy ever. The "Children Shouldn't Play With Dead Things" 7" is my personal fave. They put out music until 2010, even releasing a full length in 2006.



Hail of Rage - Discography

This is basically the "All Hail" CD assembled into release order. Most of this stuff was recorded between 1994-1995. The first 7" "Fucking Pissed" is an overlooked classic of the '90s. If ever a record was aptly titled, this is it. Full-on pissed off, barbaric hardcore from Connecticut.



Slave State - 1992-1993

Sick, raw powerviolence from Buffalo, NY. They were supposed to do a split LP with Crossed Out back i the early '90s, but it fell though due to the band breaking up. Apparently these are the only 26 completed songs that exist, According to one of the band members, the master tapes for this stuff no longer exist, so everything was sourced from vinyl. Sounds pretty good though.This has the splits with Rupture and Lack Of Interest, plus demo and comp tracks.



Jenny Piccolo - Discography

More '90s madness from CA. Fifty two tracks in just over a half hour. Love the Chain of Strength cover.



Tomsk-7 - Discography

I snagged this from the R'lyeh Liberation Front blog. The person who runs that blog compiled this discography from his own vinyl, and it sounds excellent. He also made the covers. Of course, me being me, i made my own front cover. If you want to check out the original, and maybe discover some other great music, i recommend you check out the blog. Tomsk-7 were a female-fronted, relatively obscure '90s band who had split records with Boris (love the cover on that record) and Idi Amin, as well as a few comp tracks. Recommended.





Reality Part #2
Reality Part #3

Back to some mandatory comps. There were actually 5 Reality comps. The first being a 6-song 7", which i don't have a good rip of. Since i wanted to stay with the '90s theme for the time being, i didn't include #4, which is my least favorite of the bunch aside from a few great tracks by Ruido, Low Threat Profile, Lack Of Interest and SU19B. Reality #2 and #3 are a different story. All the great PV bands are here in full force. Fuck, even Infest has a track! Released in 1997 and 1999 by Deep Six.



Nothing's Quiet On The Eastern Front

Great East Coast compilation of mostly brutal hardcore bands, with some PV stuff scattered throughout. The Suppression song kills. And the Disassociate tracks sound like some stoned out, weird lo-fi MITB rehearsal. It sounds absolutely nothing like anything else they've ever recorded. My fave is the Devoid Of Faith track with the Superfly sample intro. Killer comp. And although it really doesn't fit this thread 100%, i really wanted the East Coast represented more.



Fiesta Comes Alive

The Best of Slap A Ham Records Fiesta Grande #1-5. Great sound and great performances. The Frampton parody cover is gold.



Autopsy Mayhem Hard Sound: A Trainwreck Compilation

Great comp with the ugliest cover ever. All songs recorded at Trainwreck Studio in Oakland, CA. The CD comes with a nice booklet (on thick stock paper), with pictures of all the bands, but unfortunately no lyrics or info. Best track is the Agents Of Satan / No Less collab "Agents/No Less" with the killer Shedwellaz intro. The full list of bands, for some reason not listed on the pic above, is: Gob, Bros. Jibb, Jenny Piccolo, Utter Bastard, Noothgrush, Deadbodieseverywhere, Benumb, Shedwellaz, Agents Of Satan, Billy Clyde and Makara.



Seized - Complete Discography

Man Is The Bastard style heavy two bass assault. This band is a fucking steamroller. This is everything the band recorded between 1995-1998. Eight originals and a cover of the greatest Sabbath song ever, "Hand of Doom".



Ruido - 1997-2000

Amazing hardcore band from Southern CA. They seemed to transition from short, Despise You influenced rippers to more straight-forward hardcore with a bit of a Crudos vibe. It's all essential. My fave stuff is the demo, which is split up between the first 7" and the Tezacrifico split. Most all tracks in Spanish. On a side note, vocalist Gen is a great guy and helps me out a lot with this blog.  



Charles Bronson - Complete Discocrappy

Two discs and over a hundred songs, from the early fast punk days to the Spazz worship they became known for. This one's ripped at 192 unfortunately. I colored the cover obviously.



Pre Human Blaspheme

Pre Human Blaspheme is probably one of the more obscure bands in this post, and also one of the more original and insane sounding. They had elements of West Coast bands like Plutocracy and No Less as well as metallic HC bands like Rorschach. There's even hints of death metal in there, and a little Sabbath for good measure. They're at their best when they lock into a discordant groove. Oh, and the drummer is a mad man. I don't know why i thought these guys were from Germany. Anyway, Gen Ruido filled me in some info. They were from Corona in SoCal i.e. Riverside County. Their guitarist Lamin & bassist Isaiah later joined Ruido after PHB disbanded around late 1999. Both were on the Fuck On The Beach split, Live At KXLU 7", Split 5" with Nailed Down. etc.



Thug - Thug Music

Thug were a hardcore band from Madison, Wisconsin. They only released ten songs between 1993 and 1997 (nine of which are included here), most of it on Bovine Records. Thug played an ugly, feedback drenched brand of hardcore, with touches of Black Sabbath and Black Flag. I'm not sure they would be considered powerviolence, but they were certainly part of that whole scene at the time.



Hatred Surge - Collection: 2004-2012

When the '90s ended, the powerviolence genre continued on. One of the best of the new breed was Hatred Surge from Austin, Texas. Members of Hatred Surge were in numerous other bands, most notably Insect Warfare. Super pissed PV hardcore that sounds like a massive fusion of Despise You (complete with male/female vocals) and early Napalm Death. The split LP with The Endless Blockade is best in my opinion. I'm pretty sure they're still active.



Knuckle Scraper - Gulf Coast Power Violence

A short-lived PV band from Houston, Texas. Members of Hatred Surge, Insect Warfare, Machine Gun Romantics, PLF and more playing Spazz worship, with elements of other classic bands like Infest and Crossed Out. The demo rules. The "K.S. Theme Song" cracks me up every time.



Lie Still - 2011 Demo

One of the best powerviolence recordings to come out in maybe a dozen years. Eleven songs in seven minutes, capturing the spirit of the early '90s bands when everything was fresh and unpredictable. Pete from Benumb on vocals.



The Endless Blockade - Turn Illness Into A Weapon

This 2005 release was the first in a long line of great records that continued until 2011. Maybe the most straight-forward in it's approach, with elements of MITB and fast hardcore. Mothra is a monster track. Pun intended.



Cave State - Discography

A killer California band playing straight PV influenced by the originators. They pull it off perfectly. The "Manferior" 7" is my fave, but all of it kills. I'm not sure if they're still active. They only released material between 2013-2015. I had fun working on the covers since i'm a huge Harryhausen fan.



Magnum Force - Collected Crimes

PV HC from Phoenix. One of the most impressive newer bands i've heard in years, in any genre. Fast yet memorable hardcore that hits super speeds that have to be heard to be believed. The drummer is an absolute psycho. The "Self-Loathing" 7" is the classic here, and will probably be referred to as such 20 years from now.



Iron Lung - Cold Storage Anthology: 2001-2007

This anthology collects both the "Cold Storage" comps available for free on the band's bandcamp. All i did was put the tracks in release-order and tag everything to fit on one disc. And oh yeah, Iron Lung rules.



 Bookburner - s/t EP

The Bookburner EP just seemed to come out of nowhere and tear the heads off anyone who's heard it. A dozen tracks of off-the-charts intensity and anger. It was recorded in 2006 and released 2 years later. And that was that. They just disappeared as fast as they arrived. The vocalist was also in a band called Society Nurse with members of Iron Lung and Walls/Cold Sweat. In 2014 the vocalist and guitar player started a band called Exit Bag, and recorded 12 songs of blackened HC punk in the vein of Ildjarn and Rudimentary Peni. You can check that out here.



Eyesore - Collected Rage

Powerviolence from Detroit. One of my favorite new bands. They have a great knack for writing songs between 3 and 15 seconds long and still keep it interesting. When they do happen to bang out a 30 second track it feels like an epic. This has been on constant rotation lately, and i'm jonesing for more.



Low Threat Profile

Matt from Infest & Neanderthal, Bob from Lack of Interest and Andy from No Comment. What else do you need to know? Some of the riffs sound like they could be on "No Man's Slave". Product #1 is perfection.



Spine - Anthology: 2012-2015

Forty tracks of fast hardcore. A nice mix of Infest style HC, youth crew and a touch of NYHC. Sounds like Youth Of Today on steroids at times. Memorable stuff.



To The Point - An Anthology of Fast Music: 2012-2015

Really well written songs featuring members of Spazz and Lack of Interest. Using interesting arrangements and great guitar work while keeping the songs memorable. Some of the best newer PV you'll hear. Showing the kids how it's done.



Drug Problem

Real vile, dirty hardcore, with elements of sludge and black metal. Great samples. Not really powerviolence i guess... not sure what genre it would fall into actually. It fits this post though. If you like ugly, manic hardcore, you'll eat this shit up.



Thick Skin - Discography

From Washington, DC, Thick Skin play a nice mix of West Coast PV and '80s US hardcore. They kick enough ass to stand out from the hundreds of similar bands flooding the scene. These tracks were originally released on a single-sided cassette put out by Empty Mind Records.



Vaccine - Discography: 2009-2013

Another re-post. PV from Massachusetts. They stick with what works for them. This is straight-up Crossed Out style, and they do it better than most.



XbrainiaX - Hail Fastcore

Mid West Coast Power Violence. 99 tracks recorded within 2 years. These guys were busy. Then again, the average track is 20 seconds.



To Live A Lie Vol. II

PV comp released in 2014. Twenty-nine tracks, all of them insane. These aren't just throw-away tracks. Every band delivers. Check this one out, you're guaranteed to discover some killer shit.


Trapped In A Scene

Lots of current heavies on one comp. Multiple tracks from each band. Released in 2007 on 625 Thrashcore / Give Praise Records.



Mindless Mutant

Great band made up of veterans of the PV scene, most notably Max Ward (Spazz, Capitalist Casualties, Plutocracy etc.). This is total first-wave worship. Killer stuff from 2006 put out by 625. I only wish they would have released more material.



Hurt Your Feelings

This comp was put out by Six Weeks in 2001. Bands from all over the globe. Mostly older stuff. All of it good.



Burn Your Bridges

Chris Dodge on vocals/guitar and Bob from Lack Of Interest on drums (damn those guys stay busy). This comp has the LP put out on Deep Six in 2003, and the 2002 demo that i snagged from Chris Dodge's blog here. Straight-forward '80s sounding hardcore that seems to alternate from sounding like Black Flag one minute and Infest the next. It really doesn't fit in with the PV theme of this post, but fuck it. It's refreshing stuff in an endless sea of bands trying to out-brutal each other.



Mind Eraser - Conscious / Unconscious

This 2-song LP was released in 2008 and is my favorite Mind Eraser record. Two epic crushers clocking in at roughly ten minutes each. Powerful stuff. As you can see, i couldn't find a scan of the actual back cover.



Put To Death - Separatist

Yet another band made up of PV vets. These OG's rip through six tracks bringing back the good old days of Infest, Crossed Out and Neanderthal. And like many of these bands, it's a one-record affair.



Exit Unit

I just discovered this EP and had to post it. It's Joe Denunzio (vocals) and Matt Domino (guitar) from Infest, and Bob (drums) from Lack Of Interest. This could pass for a follow up to the "Mankind" 7". Best hardcore EP of 2017 so far. And i doubt that will change from now until December. On Deep Six / Draw Blank Records.



Burnout

Here's a late addition. I downloaded at least a dozen newer HC records yesterday from a great blog called Cut and Paste. Of all the stuff i checked out, this band called Burnout really got my attention. Just really well done old school style PV. Sounds like some long lost Slap A Ham release from 1993.



Chest Pain - First Pains 2009-2014

One more late addition. I've been jamming this band a lot after hearing their track on the "To Live A Lie II" comp (best track on the comp). Great blend of noise rock and fast hardcore with a vocalist who doesn't sound like a Denunzio clone. Really memorable songs for this genre. A new fave. This is everything up to 2014, and there was a "Discography So Far" tape that was very similar, and was available for free download a while back. Not sure what happened to that. But no matter, now you have this. Better sound too. Chest Pain are still making music, and the "The Primate's Advantage" EP from 2016 is excellent.


Well, that's about it for my favorite American powerviolence bands. Of course there are plenty more faves not represented here. I really wanted to do a Forced Expression discography. I actually started working on one a while back, but got sidetracked. Hopefully i'll get back to that. Aside from what's posted here, i really like Enemy Soil, Black Army Jacket, Taste Of Fear, Manpig, They Live, Gob, Evolved To Obliteration, Utter Bastard and Dropdead if they count. As far as newer bands go, Gas Chamber rules. Dead Language. Plus i dig just about everything on the "To Live A Lie" sampler compilations.

As a bonus, i've decided to add some of my favorite International PV bands to end this thread.


INTERNATIONAL POWERVIOLENCE




Harsh - Reality

Powerviolence band from Finland. Mikko Aspa from Clandestine Blaze, Deathspell Omega, Stabat Mater, Noise Waste and a dozen other bands is involved with this project, although i'm not sure what his role is. Harsh plays bass-heavy fast hardcore with lots of tempo changes. Besides being influenced by Infest and Crossed Out, there's an early Napalm Death vibe. In fact, the drummer plays so much like Mick Harris it's scary. He's the only drummer i've ever heard who has the same intensity. The speed, and even the rolls sound identical to the drumming on the first 2 Napalm Death LPs and Peel Sessions. Especially on the self-titled 7" from 1996. This comp collects the "Reality" CD and close to 40 bonus tracks from various releases, including the amazing first EP. Mikko also played in another PV band called Control Mechanism, who actually have a split 7" with Harsh.



Luzifer's Mob - Complete 50 Song Discography

German fast hardcore at it's best. To me, the first 7" and split LP with Golgatha are classics. The split LP came with an anti-religious poster (which was supposed to be the cover and was rejected) that i had hanging on my wall back in the mid-'90s, until one of my roommates became offended and ripped it down. We had a violent fight over it, which was OK because we fought pretty much every day. Don't live with drunks.



Corrosive - Black Forest Power Violence

I first heard this band on some insane  compilation VHS tape called "Revenge Of The Disabled 2". Corrosive had these great cheap self-made videos for three of their songs. They were like a primitive German version of Infest. I was sold immediately, and on my next trip to NYC i picked up their first 7" and split with Bohrholm. Those 2 records are still my fave stuff from this band. This collection has material spanning 1995 to 2013, although the band formed in 1984. I've never heard the early stuff, but i would imagine it sounds a hell of a lot different considering they hadn't discovered Infest yet.



Tumult - Discography

More German hardcore. Tumult is a '90s favorite of mine, and i was pretty infatuated with them at the time. They had their own unique sound and just nailed it perfectly. Fast as hell songs with massive breakdowns and vocals slightly more sinister (for lack of a better way to put it) than other bands of the genre. The song "Bremen Style" floors me every time. Hopefully an official discography sees the light of day.



Systral - Anthology: 1994-1998

Let's keep the German hardcore going. Systral were a heavy, and very unique band with members of Acme and Morser. They're a hard band to describe. The "Maximun Entertainment" 7" is just fucking crazy. Seriously one of the most intense 7" records to come out of Germany, or anywhere else. All the comp tracks are excellent as well, but the LP, in my opinion, was a step down. It's heavy as all hell, but much less interesting than their previous stuff.



ABC Diabolo - Last Intoxication Of The Senses

Another powerful classic from Germany. Maybe the best German HC full length? Could be. The breakdown in "In Handling Animals" is worth the price of admission alone. Along with the 1993 album, i've included the 7" from '92, the demo version of the song "Last Intoxication" from the "I Kill What I Eat" comp on Eccocentric, and 2 Germs covers from a Germs covers comp CD. The second LP "Give Rise To Doubts" is great as well.



Yacosae - Einstweilige Vernichtung

Yet more German madness. The "Einstweilige Vernichtung" LP/CD was released on Slap A Ham in 2001. Thirty-seven short tracks of grinding fastcore that can stop on a dime like no other band on the planet. From 1992 to 2015 Yacopsae released a shit load of EPs and comp tracks, most of which were compiled on 3 separate discography CDs.



Fuck On The Beach - Slap A Ham Twin Best

We'll stick with Japan for while. This CD collects the "Power Violence Forever" LP, the "Endless Summer" LP and the "Betrayed Again" EP. Fuck On The Beach are the best! With song titles like "Where Do You Work?", "Never No Skin Fuck" and "Throat Or Die", how can you not love this stuff.




SU19B - Discography: 1997-2001

Massive Japanese powerviolence. Taking the Crossed Out formula of heavy grooves with quick bursts of speed to the extreme by slowing down the slow parts to Corrupted levels and speeding up the fast parts. This collects everything the band recorded up to 2001, and the 4 bonus tracks are from the splits with Jenny Piccolo and Deadeye. SU19B are still active.

Well, that's it for now. Time to go watch some '70s movie. Maybe i'll watch Network again. That one rules. 

Oh, and don't forget to drop by the Blogged and Quartered Record Store. It's right here. And don't forget about the 30 extra hidden downloads throughout the post. All great stuff.

And yet even one more thing. Some really nice guy from Germany emailed me and sent me rips of the Tumult demo, and an unreleased Systral 10", both of which I didn't even know existed. Thanks Chris! Here's the Tumult demo and here's the Systral 10". And check out Chris' grindy HC band Poostew here.

Til next time...

Sunday, October 16, 2016

Assfactor 4 'mastered' discography

I put together an Assfactor 4 collection many years ago, but after recently listening to it i realized it needed a massive upgrade (it was crap). I worked on this new collection over the past few months and can easily say it was the most time i've ever put into anything on this blog. I worked on each and every track until i was satisfied that the entire discography was uniform in sound quality and volume. I'm especially proud of this one. Hopefully an official Assfactor 4 discography sees the light of day in the future, it's long overdue. Assorted Porkchops, get on that shit!


Assfactor 4 Discography

Assfactor 4 from South Carolina formed in 1992 by two members of Tonka (Jay and Alex) and two members of Unherd (Eric and Kevin). I discovered this great band by reading a review of the "Smoked Out" 7" in the pages of MRR back in '94. I had never even heard of Assfactor 4 at the time, but the review said something about AF4 taking the best parts of Rorschach and condensing them into short songs, filling a 7" EP with 9 memorable tracks. Obviously i was curious as Rorscach was one of my favorite hardcore bands of the '90s. I'm pretty sure i ordered "Smoked Out" through Vacuum mailorder (i think i spent just about every penny i made on Vacuum during the early '90s). Anyway, the record floored me. Sure, there were some Rorchach influence, but this was something more, The music was fast, frantic and disjointed yet still melodic. The whole thing sounded like it could collapse at any second. The lyrics were as personal as i'd heard on a HC record, screamed like an adolescent version of Charles Maggio. It was like some unpopular high school kid's diary set to manic music. Just read the lyrics to the first track.
I'm too skinny, don't bother crushing me like meat between your "wisdom" and your "peace." Your boots have outrun my shoes and i don't know what to do so i lose. This is highschool, i never knew what to do - i just had to get that shit through.
And the second song starts - I am so tired i want to sleep and cry and dream of punk rock...
I had never heard anything quite like Assfactor 4 at the time. There were definite elements of bands like Merel and Heroin, but AF4 had their own unique sound. Their will never be another band that sounds like that. And even though they get lumped into the whole emo or "screamo" scene or whatever else, they're a hardcore band. Plain and simple.

Kevin (Evil Dean) - guitar / vocals
Eric (Cool Breeze) - guitar / vocals
Jay (Earth Boy) - bass / vocals
Alex (Commander Fun) - drums / vocals

The "Sports" LP was recorded in 1997 and released by Old Glory Records in 2000. This was the last Assfactor 4 album i heard, actually years after it came out. It was also the only one of their releases that didn't hit me immediately, probably due to the 10 year hiatus since first hearing the band. Now it's my favorite AF4 record, and maybe the best HC record released in 2000. Absolutely timeless, and a perfect swansong. Serious heartfelt punk hardcore that kicks you in the ass while retaining a great sense of humor. Song titles include "White House Is Alright If You Like Saxophones", "Forty'd Out And Feeling Gay", "Free Tibet And Pussy" and "Crank Up The 2short". Let's not forget the amazing Huey Lewis and the News parody cover, with band members and cats pasted on the actual 1983 Huey Lewis LP (also titled Sports), turning what looks like a scene from Cheers into a bizarre random collage. This is an excellent rip that you'd never believe was transferred from vinyl. Pretty much flawless, and i don't throw that word around casually.

The "Nothing's Quiet on The Eastern Front" comp was released on both LP and CD in 1996 on Reservoir Records. The LP came with a 16 page booklet. This is one of my favorite comps of the mid-'90s and is packed with killer East Coast hardcore bands active at the time. Mostly exclusive tracks from C.R. Devoid of Faith, Eucharist, Halfman, Coercion, Disassociate, AF4, Dropdead, Black Army Jacket, Brutal Truth, Judas Iscariot, Monster X and Suppression. The Assfactor 4 tracks are great. "Bonkee Number Three" is my fave track on the comp. "Cleenkee" is great as well, but it kind of pales in comparison. The Disassociate tracks are great as well. They contribute a batch of lo-fi demented songs (heavily influenced by MITB), that sound like they recorded the whole thing free-form in a pot smoke filled basement. It's awesome, and my fave thing they ever did. The Superfly (one of my all time fave movies) soundbite at the beginning of the Devoid of Faith song rules. Great cover art by Miguel Heredia. Concept by Andrew Orlando of Black Army Jacket and Reservoir Records. This was pretty much one of the last great comps of the '90s. About a year later the East Coast scene (and pretty much every other scene) was pretty much dead. It took a long time to recover.

The "Yo Hablo" comp 7" came out in 1996 on Lenguna Armada Discos, run by Martin of Los Crudos. Bands on the comp are Copout, Animal Farm, Arma Contra Arma, Haymarket, Jara, AF4 and Spitboy. As with most politically-minded Lenguna Armada releases, most lyrics deal with racism, sexism and other social problems. As with the "Nothing's Quiet on The Eastern Front" comp, the Assfactor 4 track is the best thing on the comp. To me anyway. "Boy Cult Seavers" is a ripper. I love the artwork and layout as well.

The Assfactor 4 self-titled LP was released in 1995 on Old Glory Records. It was recorded and mixed in 36 hours at Sweetwood Sounds in New Jersey. Unlike "Smoked Out", this album clicked on first listen. It's just an amazing collection of songs that still sounds great after 20 years. From the opening track "Hey Stinky" (with vocals by Charles of Rorschach) to the closer "Assfactor 4", it's just perfect, I listened to this album during the '90s more times than i can count, and i still listen to it today. Fave tracks are "I Reckon", "Fuck Hate Breeders", "Dorothy", and the killer cover of "Attempted Control" by Code of Honor from the great split LP with Sick Pleasure from 1982. I'm usually not big on covers, but not only is this an exceptional cover, it's also one of the highlights of the LP. Once again the record is filled with personal, sometimes humorous lyrics, and most of all, a shitload of memorable songs. A classic.

The "We've Lost Beauty: A Compilation For Christopher" comp LP was released in 1995 on File 13 Records. The comp was a tribute to Christopher Horne (1978-1994), the drummer of the band William Martyr 17 who was killed in a car accident in '94. The inserts include a memorial essay and a hand-assembled lyric book. The comp leans on the emo side of punk, even the cover and layout is in typical emo style. There are some great bands though, like Franklin and Current, but the Assfactor 4 track "Nemo" definitely stands out.

The "All The President's Men" comp LP was released in 1994 on Old Glory. The LP came with a 12 page booklet with info, and in some cases lyrics, for each band. The AF4 page reminds me of Ebullition for some reason. Once again this is a mostly emo punk comp, with a couple oddities thrown in, and once again Assfactor 4 steals the show with one of their best tracks ever, "Close Captioning For The Blind". This song opens the comp, and sets the bar too high for anything that follows. It's a pretty good comp though, and i remember spinning it quite a bit in the '90s. I really like the Hoover and Acme tracks.

The "Smoked Out" 7" was recorded in 2 days in March of '94. It was released in 1994 on Old Glory. The record contains a lyric and art sheet, and is housed in a fold-over cover, that when opened reveals the entire cover image. This is the best of their 7" EPs.

The "Sometimes I Suck" 7" was recorded at Jan Room Studio and released in 1993 on Repercussion Records. The songs "Is Love Just Jive Turkey?" and "Don't Fall In Love With..." were recorded in the winter of 1993. All other tracks were recorded in the summer of 1993. Lyric sheet included. Two different covers exist on Repercussion. There was also a pressing on Auricle Records, this version is a single sheet of 7" x 7" photocopied white paper printed on both sides. Lyrics/info included.

The Assfactor 4 / Rights Reserved split 7", also known as the "Underwater and Hatin' It" EP was released in 1993 on Fallen Squirrel Records. Two tracks by each band.

The song "Assfactor 4" was also on a compilation LP called "400 Day Headache" on Unite & Fight Records in 1993. Unfortunately that version is not in this collection. Also on that comp were tracks by pre-Assfactor bands Tonka and Unherd, as well as a great collection of pop-punk, hardcore and crust bands. The comp was a benefit for Rainforest Action Network. If anyone has a rip of that album, please hook me up.

Also not in the collection is the track "12 Years Of Living Hell" from the "Big Pants Waste Precious Fabric" comp CD released in 1995 on No Idea Records. It came with issue 11 of No Idea Fanzine. A slightly faster version of the song is on the self-titled LP, re-titled "Dear Grampa". I didn't include the original version as it would have put the collection just over 80 minutes. However, the "Big Pants..." comp is somewhere in this post for download. Just gotta hunt.

According to online sources, there's also an Assfactor 4 demo from '93. Good luck finding that.



 Assfactor 4 - Live on WFMU 5/27/93

This is a great sounding set from one of the 2 times AF4 played live on Pat Duncan's show on WFMU. All tracks from the "Sometimes I Suck" 7" and split with Rights Reserved, plus the self-titled track from the "400 Day Headache" comp. The other WFMU set was recorded 1/07/93 and has a bunch of songs not on any releases. I'd love to hear that.

Post-Assfactor 4

Nearly ten years after the break up, guitarist Evil Dean of AF4 and drummer Cuz got together with bassist Curly from the metal band Necrocide to continue in the tradition of Assfactor 4 (especially on the great "Parasitic Host" LP). The music is a bit heavier and less loose and chaotic than their '90s stuff, but that Assfactor 4 spirit is still there. On the heavier stuff, it kinda sounds to me like AF4 mixed with Ringworm.


Sled Discography

The Sled demo was recorded in March of 2007 at The Jam Room in Columbia SC. It was self-released on CDR in '07. Most of the tracks are mid-paced and metallic, but a few songs, like "Whale" and "Metal Boy Band" stand out as a sign of what would be coming by 2011. The Sled self-titled LP was released on Lunchbox Records in 2010. Half the album was re-recordings of demo tracks. This is my least favorite Sled release. It's not bad really. I guess, based on the members, i was expecting more frantic, melodic hardcore and less Integrity crunch.

Sled's newest album, "Parasitic Host" is another animal completely. It was released in 2011 on Lunchbox, but i'm not sure if any actual vinyl or CD exists. You can download the album from the band's bandcamp page here. This one kills. Twelve tracks of fast melodic hardcore with screamed vocals. That old Assfactor vibe is definitely there this time, and the songs are as memorable as anything these guys ever did. Just perfect from beginning to end. Highest recommendation.

Pre-Assfactor 4

Unherd started in the fall of 1992 with AF4 members Eric and Kevin. Their 1993 self-titled LP on Assorted Porkchops is excellent. The LP is half straight-forward melodic hardcore rippers and half indie/emo/punk. Like a mix of Garden Variety, Chisel, Fugazi and even a bit of Moss Icon on some tracks. Unlike those bands, Unherd remained mostly unknown, as great as they were.


Unherd LP (1993)

Kevin - bass / vocals
Eric - guitar
Ryan - drums

Aside from the album, Unherd had tracks on a bunch of other (not so easy to find) releases.

The Straight Up / Unherd split 7" was released on Young Funky Records in 1991. I've never heard this record, or any Straight Up for that matter. They had a track called "Walklin' Around" on the "Stupid By The Grace Of God" comp 7" (Assorted Porkchops 1992), along with Bedlam Hour, Toast and Unherd. They had a track called "Nosebleed" on the great "Stereonucleosis Comes To You House" comp 7" (Stereonucleosis 1991), with tracks by Antischism, Buzz Oven, and Tolerance. Their song "Peel" was on the "400 Day Headache" comp LP (Unite & Fight 1993), along with tracks by Assfactor 4, Tonka, J Church, Rights Reserved, Youth Gone Mad and many more. Lastly, they had a track called "Saturday" on the "Please No Profanity" comp LP. Other bands on that comp included Tonks, Bedlam Hour, In/Humanity and even Hootie and the Fucking Blowfish. The CD was a benefit for South Carolina college radio. Released by WUSC (Columbia) and WSBF (Clemson.

I'd love to see some kind of Unherd discography one day, but that seems extremely unlikely. If i can ever locate all the tracks, i'd for sure put something together for the blog.

Tonka was formed at the start of the '90s by Jay and Alex (future bass player and drummer for Assfactor 4 respectively) prior to Unherd and AF4. They played pop infused hardcore punk with an obvious DC post-hardcore influence. I also hear elements of Hated in there, as well as the first Sleeper EP, and a touch of early Jawbreaker (maybe the 7" cover is a tribute of sorts?). The song "Take It Back" from the "400 Day Headache" comp is my fave, as it's a bit more on the fast discordant HC side, pretty similar to tracks on the "Sometimes I Suck" 7".


Tonka - Anthology 1992-1993

The "Calling Waffle House Home" 7" was released on Assorted Porkchops in 1992. Four great poppy HC tracks that brings to mind early Chisel material, in both the music and production. In fact Chisel has a song called "Waffle House", although the Tonka EP may have come out first. Anyway, who gives a shit?

I won't go into detail over all the compilations that Tonka contributed to, as most of them were already discussed throughout this post. Track 10 is a short studio pisstake on "Smells Like Teen Spirit". The vocals are hysterical. The last 2 tracks are unreleased songs and are both killer tracks. Far from filler. The sound quality on "Over" is not too hot, but everything else sounds great.

13 Easter Eggs.

Enjoy

Friday, June 3, 2016

Deathrock California

The deathrock scene in California in the early '80s produced some of my favorite music ever, in any genre. Even 30 years after first hearing most of this stuff it still gets plenty of spins.

Since i was a little kid, i was always into campy horror movies, EC comics, Black Sabbath... anything on the darker side. When i first got into punk and hardcore in '87, i was obviously infatuated with The Misfits. Then, somewhere around 1989, i finally heard the sounds i'd been waiting for. "Only Theatre Of Pain", "Sleep In Safety" and "Autopsy", the ultimate goth-punk trifecta. I guess i thought this was a doorway to a whole new world of amazing albums, but it turned out there was really only a handful of stuff like this out there, with these 3 records being at the very top.

I'm really looking forward to the upcoming book "Phantoms: The Rise of Deathrock from the LA Punk Scene". It amazes me that this extremely influential sub-genre that gave birth to the entire Goth scene was never properly documented until now. The music itself was never really documented in compilation form either. Outside of a few key punk comps that had some great deathrock tracks scattered throughout, like "Hell Comes to Your House", "Can't Argue With Sucksess" and "American Youth Report", there's really no definitive collection of just deathrock bands. Some labels like Cleopatra Records tried a few times with so-called deathrock comps, but they're pretty badly researched. They all have the same, few, early '80s bands like 45 Grave (always "Evil"), Christian Death (usually not the classic early stuff for copyright reasons), Kommunity FK (always "We Will Not Fall"), and sometimes Super Heroines. From there it always falls apart with late '80s and '90s goth and rockabilly bands that just happen to be from CA. Stuff without the punk edge that takes itself a bit too seriously. Strobelight Records did a little better job with their "Kaliffornian Deathrock" comp, and their"new Dark Age" series is great. Kudos to them. A while back i put together my own compilation of favorite early '80s dark LA punk songs, and i figured i'd share it here.




Deathrock California: The Darker Side of California Punk Rock: 1980-1985

Here's the rundown of the bands/tracks:

Secret Hate were an incredibly talented and diverse punk band from Long Beach. They had killer tracks on following compilation LPs: "Hell Comes to Your House" (1981), "You Can't Argue With Sucksess" (1982), and "When Men Were Men... And Sheep Were Scared" (1985). They also put out the "Vegetables Dancing" 12" on New Alliance Records in 1983. The CD version of "Vegetables Dancing" has the 2 tracks from the "When Men Were Men..." comp LP, and a live set from Bruin's Den, Long Beach in 1982, but the other 4 comp tracks are missing for some reason. I would guess Secret Hate would not be considered a deathrock band, as half their discography is straight punk rippers with the occasional odd influence seeping in, but the other half of their songs has an obvious influence from the dark sounds that were going on around them in LA at the time. Deathrock California tracks: "Charade" is from the "You Can't Argue With Sucksess" comp LP put out on Mystic Records in 1982. This track has a heavy Christian Death vibe, in both the music and the vocals, and shows that the band can write a goth-punk tune on par with the best of them. "Death In the Desert" is from the "When Men Were Men... And Sheep Were Scared" put out on Bremisbrain Records in 1985. This is my favorite Secret Hate song. Just an epic track full of memorable riffs. They were definitely in their prime at this time, and of course this is when they broke up. They got back together in the '90s though, after Sublime covered their song "The Ballad of Johnny Butt", putting them on the mainstream map.

Voodoo Church from Los Angeles released just one (incredible) 4 song 12" EP put out on Second Death Records in 1982. They reformed roughly 20 years later and released the "Unholy Burial" CD in 2004, and the "Eminence of Demons" CD in 2009 (with Rikk Agnew on second guitar), both put out by Strobelight Records. Deathrock California tracks: "Eyes (Second Death)" and "Live With the Dead" are both tracks from the 1982 12" EP. To keep the entire compilation in CD quality, i used mastered versions from CD comps. "Eyes (Second Death" was taken from the Kaliffonian Deathrock" comp CD put out on Strobelight in 2006 and "Live With the Dead" was taken from the "Strobelights Vol. 1" comp CD put out on Strobelight in 2004.

Burning Image from Bakersfield were another band with a very thin '80s output. All that was officially released was the self-released, two-song "Final Conflict" 7" in 1984 and one track on the great "Let's Die" comp LP put out on Mystic in 1985. Fortunately, Alternative Tentacles put out the "1983-1987" CD in 2004, which included the EP and comp tracks along with 10 unreleased songs. Like Voodoo Church, Burning Image reformed over 20 years later. They released the "Fantasma" full length CD on Alternative Tentacles in 2009, the "Orleander" download album on Revelation in 2011, and the "Grand Guignol" CD (what, they never heard Naked City?!) on Mokat Records in 2014. And like Voodoo Church, i've never heard anything they did past the '80s. Deathrock California track: Time Is Running Out was one of the unreleased songs from the "1983-1987" CD. The first song the band ever wrote, and also the best in my opinion.

45 Grave were from Los Angeles. They formed in 1979, playing ripping punk hardcore songs with campy horror themed lyrics, pretty much kick-starting everything. Of course you can argue that singer Dinah Cancer's previous band Castration Squad was the first California deathrock band, but they never released anything, or even recorded anything as far as i know. Plus they were awful. 45 Grave were just amazing on the other hand, with Paul Cutler from The Consumers, Rob Graves from The Bags and Gun Club, and Don Bolles from Germs and Nervous Gender. Most notable in the band's discography is the ripping "Black Cross" 7" put out on Goldar Records in 1981, the incredible "Autopsy" anthology LP put out on Restless Records in 1987 and the "Sleep in Safety" LP put out on Enigma Records in 1983. There also released various 12" EPs and comp tracks throughout the '80s, but all the essential material is on "Autopsy" and "Sleep in Safety". One of my top 10 favorite punk bands of all time. Deathrock California tracks: "Consumers" and "Choices" are both from the "Autopsy" LP, a compilation of material from 1981, half of which were Consumers songs, as well as the 2 tracks from the "Black Cross" 7". "Choices" is one of the 2 tracks that Paul Cutler sings (the other being "Eye"), and is one of my fave punk songs ever written. Just perfect. "Bad Love" is from the "Sleep in Safety" LP.

D.I. from Fullerton released a bunch of records from 1983 to about 1996, and then again from 2002 to present. The best would be the self-titled 12" put out on Revenge Records in 1983 (later released as the "Team Goon" LP in 1986), the "Ancient Artifacts" LP, and the "Horse Bites, Dog Cries" LP, both on Reject Records, both in 1985. Word of warning - stay away from "Richard Hung Himself" comp LP from 2007. I figured this was a collection of remastered tracks, but it's actually a collection of re-recorded tracks, Suicidal style. Deathrock California tracks: The great and probably most well-known D.I. song (thanks to the movie Suburbia), "Richard Hung Himself" from the original 1983 S/T 12" on Revenge Records, and the Sabbath-like "Wounds From Within" from my favorite D.I. record, "Ancient Artifacts", put out on Revenge in '85. You'll recognize some of the songs on that album from Rikk Agnew's 1982 LP "All By Myself".

Red Scare from L.A. were one of the most overlooked yet most talented bands from the early '80s Cali scene. They released the "Then There Were None" LP on Upstart Records in 1984 which included classic dark tracks like "Don't Look In The Basement", "Red Rum" and the incredible "Street Life". They also appeared on various comps throughout the early '80s, most notably the classic "Meathouse" comp cassette from '82. Grand Theft Audio re-released their LP in 1995 on the "As Promised (1982-1988)" CD, which also included demos, unreleased tracks, comp tracks and a live set. Well worth tracking down. Vocalist Bobbi Brat, one of the best female punk singers ever imo, died of cancer in 1988 at age 26. Deathrock California track: "Red Rum", one of my faves from the "Then There Were None" LP. A song about Kubrick's classic giving Bobbi nightmares."The Shining won't let me sleep, it won't let me rest...". That film had the same effect om me as a kid.

T.S.O.L. (True Sounds Of Liberty) formed in the late '70s in Huntington Beach. They put out a few great EPs in the early '80s and 2 classic LPs. The legendary "Dance With Me" LP on Frontier Records in 1981 and the more progressive and keyboard-heavy "Beneath The Remains" LP put out on Alternative Tentacles a year later. They also appeared on more comp than you can imagine. T.S.O.L. kept going, in various forms, for nearly 30 years, churning out slab after slab, including hair-metal albums at one point in the late '80s. All you need is the first 2 LPs and the "Thoughts Of Yesterday: 1981-1982" LP put out by Posh Boy in '87 and you'll pretty much have all their essential material. Deathrock California track: "Sounds Of Laughter", the goth-punk opener of the "Dance With Me" LP, which also appeared on the "American Youth Report" comp LP put out in 1982 on Invasion Records.

Christian Death, another legendary band from Los Angeles, and maybe the most important. Certainly the most influential, to many different genres of music. Along with 45 Grave, Xian Death have always been one of my favorite bands of all time. To me the first 3 albums and the "Deathwish" EP are perfect. But there are lots of great obscure songs scattered throughout the time Rozz was with the band, like the 1985 demo tracks, "Haloes" and "Spectre", which can be found on various collections, including the "Invocations" comp CD put out on Cleopatra in 1993. Anyway, they must have put out well over 20 albums between 1982 and today, but after "Ashes", i couldn't give a shit. Deathrock California tracks: "Deathwish" and "Romeo's Distress", both from the "Deathwish" mini-LP recorded in 1981 (the band's first recordings) and not released until 1984. I like these version better than the ones on the "Only Theatre Of Pain" LP. Actually my fave version of "Romeo's Distress" is the 1981 demo version which you can hear on the "Six Six Sixth Communion" rarities CD. Rozz's vocals sound so great on that recording, much less dramatic than i've ever heard from him. He kinda sounds like a young Robert Smith. It rules. The only reason i didn't include it on the comp is the sound. Not that it's terrible, but it wouldn't have matched the rest of the quality of the comp. The live version of "Theatre Of Pain" is from "The Decomposition Of Violets", originally released on cassette on Roir in 1985. The LP and CD versions came out in 1990 on Contempo Records. I like this live version much better than the studio version from the first LP, where it's titled "Mysterium Iniquitatis". This version is an almost completely different arrangement. They should have recorded it like this on the debut. It would have even fit perfectly on the second LP.

Conservatives were a killer Long Beach band who unfortunately released a total of 6 tracks between 1981 and 1982 and are today a total mystery. They released 3 tracks on the "Hell Comes To Your House" comp LP in 1981 ("Suburban Bitch", "Just Cuz" and "Nervous"), and 3 tracks on the You Can't Argue With Sucksesss" comp LP in 1982 ("Confusion", "Nuclear Madness" and "Beaver Cleaver"). And that's it. I've never seen any further info on this band, except that one of the band members went by the name Butthole. If ever i wished a band from the early '80s had released more material, this would be the one. Deathrock California tracks: "Nuclear Madness" is a nice life-affirming number about slowly dying of radiation. Slow, doomy stuff with almost spoken lyrics. "Nervous" is pretty much the polar opposite musically. It's a quick hardcore ripper that clocks in at maybe a minute or so. Lyrically, however, it's just as nihilistic and negative as "Nuclear Madness". All there songs are worth hearing, and they're all in this post.

Legal Weapon were yet another super talented female-fronted punk band from Los Angeles. What was in the water down there? Between 1981 and 2002 they released 7 LPs and 8 EPs. All you really need is the first 2 LPs and the first 7" EP. Their early comp tracks kicked ass too. The 5-song "No Sorrow" 7" EP was released in 1981 on Arsenal Records and is a killer debut. The "Death Of Innocence" LP (my fave) was released in 1982 and the "Your Weapon" LP in 1983, both on Arsenal. Frank Agnew of The Adolescents and D.I. played guitar on "Death Of Innocence". Such an underrated '80s punk album. To me it's as classic as pretty much anything else released at the time. Deathrock California track: "Daddy's Gone Mad" from the "Hell Comes To Your House" comp. Easily my favorite recording the band ever did, and maybe even my favorite song on the comp, which says a lot. Such a great chorus. They re-recorded this track for their first album, but they over-did it with all kinds of back ups and overdubs. This stripped-down version is far superior, and really the only time the band sounded exactly this way. They actually sound a hell of a lot like 45 Grave ("Autopsy-era) on this recording, so much so that i would have bet anything that Paul Cutler was playing guitar on it the first time i heard it. Even vocalist Kat sounds a lot like Dinah Cancer here. If they would have recorded an entire album with this exact sound (and superior songwriting), it probably would have been my fave '80s female-fronted punk LP, right  up there with "Sleep In Safety". Oh well, at least i have this one track. And as much as i love their other stuff, i almost always come back to this song when i'm in the mood for a little Weapon.

Adolescents were a Fullerton favorite, even though they really only released one good LP and one good EP. I guess it helped that they had killer tracks on key comps like "Rodney On The Roq" (1980 Posh Boy), "American Youth Report" (1982 Invasion), and "Someone Got There Head Kicked In!" (1982 Better Youth Organization). It also didn't hurt that they knew how to write excellent and memorable hardcore songs with pop sensibilities. Rikk Agnew's guitar playing cemented the deal with his Greg Sage style (pretty sure they started around the same time, so i'm not sure if one was actually influenced by the other, but the similarities are undeniable). You could feel that Christian Death style starting to creep in on certain tracks (like "Kids Of The Black Hole"), pretty much laying the groundwork for the goth style that would take shape years later. The self-titled "Blue Album", released on Frontier in '81 was great, but my fave was always the follow-up "Welcome To Reality" EP, released on Frontier that same year. Rikk Agnew was gone at this point, just leaving his brother Frank on guitar duties, but for me they just fucking nailed it with those 3 tracks. Deathrock California track: "Losing Battle" from the "Welcome To Reality" 7". First song i ever heard by Adolescents, and still my fave. I heard it on the "American Youth Report" comp LP and it blew me away. It just sounded so much heavier and angrier than anything on the debut LP. And the vocals never sounded better. "Now suicidal, caught in a trap. Can't get out don't want to fight back. Now the firing squad is set. To give me the bullet to help me forget...". Love that shit. If only they made a second full length at that time, it would have been a monster.

Rikk Agnew! Since the Adolescents track was from the EP that Rikk didn't play on, i figured a good following track would be from Rikk Agnew's 1982 solo LP "All By Myself", put out on Frontier Records. An absolute punk classic, with Rikk writing all the music and playing all the instruments. I think it kicks the Adolescents album's ass. Deathrock California track: "Yur 2 Late". I was tough picking one track off that album, every song is great, but the riffs on "Yur 2 Late" are just so damn perfect. A perfect song from one of the originators of the entire goth scene. It doesn't get much better. I never heard the second album "Turtle" from '92, or anything from Rikk Agnew's Yard Sale.

Super Heroines from L.A. were a great (mostly) female deathrock band that had a sinister punk vibe similar to early Christian Death. Part of that inspiration could have been from Eva-O being in the band, who played with Christian Death for a while. The first 2 albums are great. "Cry For Help" from 1982 and "Souls That Save" from 1983, both released on Bemisbrain Records. They also had 2 killer tracks on the "Hell Comes To Your House" comp, and even put out a third LP in '93. In 2006 Cleopatra Records put out 2 separate Super Heroines anthologies. Both are great, but the "Anthology 1982-1985" is essential. It has all 3 albums, so i'm assuming that 3rd LP was recorded much earlier than 1993. The other anthology is more of a "best-of" type collection, which i usually find pretty useless. Deathrock California tracks: "The Beast" is the massive opener from the first LP and "Embalmed Love" is one of the 2 tracks they did for the "Hell Comes To Your House" comp LP. It's a great alternating mix of gloomy dirge and thrashy punk. I can't make out most of the lyrics, but i'm guessing it's a necrophiliac love song.

Lost Cause from Orange put out a killer 7" called "Born Dead" in 1981, even more impressive because of how young they were at the time, with half the band being around 14 years old. In '82 they put out the "Forgotten Corners" LP with a different vocalist. Both records were released on High Velocity Records. They also have some other recordings that i'm not sure ever made it to vinyl, as they recorded 6 tracks for the debut 7" and only 4 were used. They called it quits shortly after the LP came out. It would be great if someone reissued all this stuff. Grand Theft Audio used one of the EP tracks on their "High Road To Obscurity" comp back in 2000, so i was hoping maybe they would do it. Wishful thinking. Deathrock California track: "Lost Cause". The title track from the '81 7" EP which i actually first heard on the "American Youth Report" comp. It came right after the Adolescents "Losing Battle", and it always seemed like the perfect one-two punch for me. Those song seemed as connected to me as "Heartbreaker/Living Loving Maid". Even 30 years later, when i hear "Losing Battle" on the Adolescents CD, i expect to hear that echo-like guitar kick in. Whatever, i'm rambling like Lenny Bruce all of a sudden... anyway, dig, "Born Dead" was really the only creepy track on the record. A haunting galloping melody with lyrics about a still-birth. The other 3 tracks were pretty straight-forward punk rippers, but every track is good.

Peace Corpse from Pomona put out the classic "Quincy's Lament" 7" in 1983 on Toxic Shock Records, which seemed more of a parody of the deathrock genre than being influenced by it. With songs like "Dead In A Pile Of Chairs", "Small Talk Death" and "JockoMacho", you could tell they didn't take themselves very seriously. But spoof or not, fuck if they didn't pull off the sound perfectly. The Pushead cover of Jack Klugman from the TV show Quincy is absolutely amazing. Such a great record that Toxic Shock even reissued it in 2010 as an LP re-titled "Terror Of Quincy". This version included 3 bonus tracks. The A-side of their 1986 12" "The Terror Of History", which was less punk and less satirical than the EP, and more doomy sounding. They never should have changed their sound. These recordings feature future maniac of Man Is The Bastard, Eric Wood on bass.  Peace Corpse also released some comp tracks, including the great "Breach Birth Generation" on the "Barricaded Suspects" comp LP released on Toxic Shock in 1983. They also had 2 tracks on the "Budget Ranch Box" 3x7" box set put out on Budget Ranch in 1986. One was a ZZ Top cover called "TV Dinners" and the other was a kick ass cover of Neil Young's "L.A.". Toxic Shock should have just released everything on CD in 2010. Anyway, it's possible someone else did. Deathrock California track: "Breach Birth Generation", the great opener of the "Barricaded Suspects" comp.

Kommunity FK, another classic L.A. band, seemed to be more influenced by the post-punk and new wave sounds of Bowie and Joy Division, as well as more experimental stuff, like maybe Nurse With Wound or something. Their debut 1983 album, "The Vision And The Voice", put out on Independent Project Records, went back and forth from dark punk songs to damaged art dirges. Excellent album if you can get through all of it. They put out one more album in the '80s called "Close One Sad Eye", and then took a little 25 year break before recording again. Deathrock California tracks: "Anti-Pop" and "We Will Not Fall" from "The Vision And The Voice" LP. "Anti-Pop" is one of the most perfectly crafted and unique punk songs i've ever heard. I never get sick of hearing it, it's just flawless. "We Will Not Fall" is the Kommunity FK track that seems to make it to all the goth comps, and with good reason. It rules. I couldn't resist.

The Flesh Eaters from Hollywood put out a lot a good records during the '80s, but it was their second LP "A Minute To Pray, A Second To Die" (1981 Ruby Records), that it all came together perfectly. One of the most unique, unsettling and bizarre records in the history of punk. The music is kind of a weirdo mutation of punk, jazz and blues, with marimbas, xylophone and sax expertly weaved into their instrumentation, topped off with demented lyrics sang by what sounds like a satanic psycho-ward patient trying to keep it together for the album before they have to throw him back into his padded room. "Roots rock voodoo blues" is how their sound has been self-described. "See You In The Boneyard" is my favorite track from the album, just total madness, with xylophone playing that reminds me of the skeleton fighting scene in The 7th Voyage Of Sinbad. Awesome and original as hell. Deathrock California track: "Pony Dress" from the "American Youth Report" comp. A great dark punk track that simply fit this comp more than anything from the superior LP.

U.X.A. were originally from San Francisco, but moved to L.A. early on in their inception. They recorded their great "Illusions Of Grandeur" LP in the late '70s, and put out a pre-release of the album in 1980 on Posh Boy, housed in a cardboard sleeve with the title stamped on it. The official album with artwork and lyric sheet came out in '81. Not a deathrock album, but this record definitely had dark tinges of what would become the Cali sound. I would imagine "Illusions Of Grandeur" had a pretty big influence over many of the bands mentioned in this post. Vocalist De De Troit looks like a starlet right out of a 1930s movie on the LP cover. They reformed in the early '90s and put out a bunch of new material which i never checked out. The debut LP was re-released in 1990 and again in 2004 on Get Back Records. The also had 2 tracks on the "Tooth And Nail" comp LP (Upsetter Records 1979) including one track exclusive to the comp called "Social Circle". This early California punk comp also had tracks by Controllers, Flesh Eaters, Negative Trend, Middle Class and Germs. Deathrock California track: "U.X.A." from the "Illusions Of Grandeur" LP. My fave U.X.A. track. This one's taken from the newly remastered version that can be downloaded on sites like Amazon. The remastered LP sounds great, and has a bunch of bonus tracks. Not sure why they changed the title and artwork though. I would think it would just make it harder for people searching for the record online. But whatever, i'm just glad it's available.

That's it for this time. Enjoy!

Wednesday, February 3, 2016

Warzone

The first time i heard anything Warzone-related was on Pat Duncan's radio show in early 1987. It was a live version of the song "Skinhead Youth" by the band of the same name. I searched like crazy for any demos by Skinhead Youth, but of course that's pretty rare to come by, even then. I had only recently discovered hardcore/punk music at that time, and had zero knowledge of Warzone, Raybeez, Agnostic Front etc. The only HC records i owned were the first Suicidal LP and DRI's "Dealing With It". Some weeks later a friend took me to a record store in Dover, NJ where i bought the first Warzone album (thinking the track "Skinhead Youth" was a cover song actually). The Warzone LP instantly became a favorite, and was pretty much my introduction to NYHC (along with the SFA "NY" '87 demo). But the Warzone record was something different entirely. Hearing "Don't Forget the Struggle...", and then later hearing recordings like "Victim in Pain", the Cro-Mags and Breakdown demos etc... they just sounded like New York City. Street hardcore. The same way a band like Adolescents sounded like beach hardcore.

I think one of the keys (to me) to a great hardcore band, is the ability to vividly remember first hearing them, and i remember spinning that Warzone LP like it was last week. The back cover and insert images of the band threw me for a loop. And then of course the album intro "Yo, wus up wit dat, less start jammin'! I was half-way expecting another Licensed To Ill. Instead, of course, i got 12 incredible hardcore songs that still stand up 25 years later.


 Warzone - Crucial Recordings

This is a collection of demos, comp tracks and other rarities spanning 1984-1988 with far superior sound quality than the collection i posted years back.

The first 2 tracks are from the classic New York City Hardcore: The Way It Is comp LP, released in 1988 on Revelation. The NYHC scene kind of exploded between 1986 and 1988, and this was one of the first documents showing that the scene in NYC was finally catching up with the rest of the US. Better late than never. Great and diverse (Bold followed by Nausea!!) comp that barely scratches the surface as to what was going on at that time. 320 rip from CD version.

The US Of Oi! comp LP was also released in '88, and features a completely different version of Don't Forget the Struggle... I prefer the original, but it's always great to hear alternate takes on classics. Some killer tracks by YDL and Anti-Heroes on the comp as well. 320 rip from CD version.

The WNYU tracks were recorded on July 23, 1987. These versions were taken from the New York City: Those Were the Days Vol. II compilation CD put out by Chaotic Records. This is not the entire session unfortunately (pretty sure 2 tracks were cut for the CD), but it's the best sounding source i've ever heard of these recordings. The CD also has tracks by Nihilistics, Token Entry, Norman Bates and the Showerheads (great band), and Krakdown, all recorded live on WNYU between 1987 and 1990.

Next up is the meat of the comp. The Some Records tape. Fourteen tracks recorded in 1986, including many that weren't properly recorded until years later and a ripping 7 Seconds cover that became a staple at Warzone shows. For me, these are the definitive versions of these songs. That raw a fuck guitar sound, and Raybeez' vocals never sounded better. Tracks from this session were released on the Lower East Side Crew 7" put out in 1987 as Rev. 1. The entire set was booted onto vinyl in 2008 as the "Street Kids Demo" along with the 1984 Tommy Rat demos. Not sure where i came across the rip here, but it sounds incredible. Best i've heard, and i must have had 5 or 6 versions of this over the years. Easily one of the best NYHC recordings of all time. "Don't forget the struggle, don't forget the street kids!!"

Raybeez with the Warzone Women

The heavily traded (back in the day) "As One" demo was distributed by Raybeez in response to the 7" selling so fast with many rabid fans still needing their fix. There were 50 copies of the original tape (slightly altered later) that were copied by Raybeez and given to Some Records to sell. Not sure which version is posted here, but there were 3 more tracks on tape, which were omitted here. "Don't Forget the Struggle...", which is the same version as on the Some Records tape, so that's already in this collection, and 2 live covers. Wire's "12XU" and of course 7 Seconds "Young Til I Die". On the rip i got the sound on the live tracks were beyond shitty. Unlistenable really. This is a great demo, and this has surprisingly great sound for a demo that has not been re-released in any was for the past 30 years. Thanks to Cooch for this one. There was also a Don Fury rehearsal tape recorded in '87 that was basically the Gorilla Biscuits lineup with Raybeez singing. Would love to hear that! Hopefully somebody properly documents all this essential stuff one day as there would be enough in the way of demos, rehearsals and live sets for a double LP or CD. I heard Revelation is planning on releasing old Warzone material, but judging by their output, it will most likely be the first 2 LPS and maybe the comp tracks. Maybe even a remastered (and castrated) version of the LES Crew ep? I doubt there will be anything to cream about, but hey, hopefully they prove me wrong. Thanks to Cooch for the rip, and for various info throughout this post.

Last up is the pre-Warzone incarnation, Skinhead Youth. Recorded live at CBGB during the infamous show in 1984. It's an incredible set, with many songs that would wind up on the first 2 Warzone LPs. Lots of banter between songs. Great sound, great set. One of my favorite live NYHC recordings. I have yet to find a decent sounding rip (or tape) of the Skinhead Youth demo. One of my top wants.


Warzone - the first 2 albums

The "Don't Forget the Struggle, Don't Forget the Streets" LP was recorded in August 1987 at Studio X in Ridgewood, NJ. It was released on Fist Records in 1987. It was repressed in '88 on Fist/Caroline Records. Last (unofficial) pressing i know of was in 2012 on red vinyl, with lyric insert and stickers. I traded off my first press years ago, along with lots of other rare shit, which i now regret of course.

"Open Your Eyes" was recorded in August, 1988 at the Kampo Cultural Center in NYC and released on Caroline the same year. A great follow-up although a bit more mid-paced. My fave tracks are the 2 reworkings of early Skinhead Youth songs. Love the cover and band pics.

Both albums were released on one CD in 1994 on Another Planet Records when they were in their 'two NYHC albums on one disc' phase. I remember having CDs by Cro-Mags, Murphy's Law and Leeway many years back. Those are almost impossible to come by now. The same CD was then released by Lost & Found in various pressings between 1994 and 1997. The first pressing had an odd cover depicting two dogs attacking each other, and was later changed to the cover shown above. This is a 320 rip from Lost & Found CD.


Warzone - The 1989 Demos and Live at CBGB

So now we get to 1989. Warzone releases one of the worst 'metal/rock album by a hardcore band' in the history of 'metal/rock albums by a hardcore band'. Seems like every scene in the '80s died when classic hardcore bands decided they had "chops" and all of a sudden wanted to be the next Van Halen. It happened in Boston, DC and California and of course NY would follow suit. Of course some pretty good albums came out of that whole mess. I love the Void LP for instance. It sound like exactly what it is - Void trying to play rock songs. How could that not be great? Same for the YDI album. But when the bands got it wrong... holy shit (ever hear Antidote's "Return to Burn" LP?). It was inevitable during the late '80s that metal would influence the NYHC scene. Let's just say Agnostic Front got it right and Warzone got it wrong. The Warzone s/t album was released (for some reason) on vinyl, cassette and CD in 1989 on Caroline Records, and i can only imagine the amount of jaws that hung open as this slab hit turntables in NYC.

The demo for the album is a different story though. While not as great as any of the band's previous work, it's a pretty good hardcore/metal demo. In fact, most of the best tracks from the demo didn't make it to the album, and the tracks that did were changed drastically. The demo has a raw sound, Raybeez' vocals sound good, and there are some rippers. Basically they should have released the demo as the album. A different album cover wouldn't have hurt either. The title for track 1 is "Out of Control" and track 5 is "On the Run". Also included is six songs recorded live at CBGB in 1992. Great sound.

Luckily Warzone's rock phase didn't last long and they continued to put out hardcore records throughout the '90s. The "Lower East Side" album released on Victory in 1996 has some re-recordings of classics that were never properly recorded in the '80s. I kind of lost interest at that point. For me the band peaked around '86, but remains one of my favorite NYHC bands ever. RIP Raybeez.

Everyone loves Warzone!

There's a great Raybeez tribute here.
Raybeez interview here.
Six Easter Eggs in post.

Sunday, December 27, 2015

My Tribute to Stinkweed

This is a few years late obviously, but i've been without a computer for quite a while now (as you can probably tell by how stagnant the blog has become), and now that i have a computer again i'd like to kick things off by paying tribute to one of my heroes, Kindred McCune aka Stinkweed aka a dozen other aliases. As far back as 1994 up to present day, he's had a great impact on my life. Bands like No Less, Plutocracy, Agents of Satan etc, had a much different vibe than anything else in the scene. And not just the West Bay fastcore scene, i mean hardcore/metal in general, And of course the common factor in those bands was Stinkweed. Right off the bat i knew this guy wasn't your average musician by any stretch. This guy was special. The way he fused his influences (grindcore, hip hop, metal, classic rock/psychedelia, hardcore...), he created something fresh, something unprecedented, and most importantly something incredible. The underground music scene will never produce such a talent again, of that i'm certain. He'll always be an inspiration to me.

I was really sad to hear about his passing, but he was much too unique for this shit planet anyway. RIP Kindred McCune.

I didn't know the man personally and don't have stories to tell, like in the tributes already written over the past years by the likes of Dan Lactose (for MRR), Lord Balsak (for Decibel), Max Ward and various band members of Stinkweed's countless bands, so i've put together an audio tribute. His music was the real story anyway, Enjoy!

A Tribute to Stinkweed

Twenty tracks (really closer to 30 if you count the intros and outros by his hip hop outfits Shed Dwellaz and Shadow People) spanning roughly a dozen bands.  Of course this is just skimming the surface. There are numerous Stinkweed related bands i've yet to hear (Paranoid Freak Out, Apeshit, United Sicko Foundation...), but i plan to remedy that soon. I've only recently heard Bullshit Excuse, great stuff as usual.

As a bonus i've added some collections of my favorite Stinkweed projects. All have been ripped at 320 from the best possible sources available. Also, i've tried to add as much extra material as possible to existing albums and anthologies. The No Le$$ "Lessons 1993-1998" has 4 extra tracks taken from the "Boxed In" 7" (Slap A Ham 1997). The Agents of Satan "The Old Testament" CD has 25 extra tracks taken from various releases. The Elephantman / Bastard Squad split CD has 10 extra tracks (all Elephantman tracks), Stinkweed only plays on the Bastard Squad stuff. And on the Plutocracy "Sniping Pigz" LP, i added the "Off The Pigs" 12" and 3 tracks recorded live at CBGB in 2000.

Some of the stuff i mentioned, and lots more, can be found on the West Bay Koalition bandcamp. Check out the Altamira "Point of Impact" album. Members of No Less, Agents and Bastard Squad ripping it up Doomryder style. Killer. You can also grab some of Stinkweed's hip hop projects at the Stinkweed bandcamp. Lots of great stuff there, some of which hasn't been released (in many years in some cases) until now. Shed Dwellaz' "Children of the Woods" is my personal fave.

So here's the music. Enjoy. If any bands want their music removed please contact me or leave a comment and i'll delete it immediately.


Agents of Satan discography

Satanic bass-driven madness from Redwood City, CA. They started out as Radioactive Lunch (with a slightly different lineup) in 1991, recorded a demo and an EP and then changed their name to Agents of Satan in '95. Between 1996 and 1998 they released splits with No Less, Noothgrush and Burn the Priest (containing the Agents' 1995 demo). They also released a 7" in '96 on 625 Thrashcore. A song from that record, "Goat-Core" perfectly describes their sound. They were also on various compilations during the '90s, and even reformed to contribute 4 songs for the "This Comp Kills Fascists" comp CD released in 2008 on Relapse Records. This collection contains all the tracks from the "Old Testament" CD plus the tracks from the Relapse comp, various tracks recorded live on KFJC and a few other odds and ends.


Plutocracy 1991-1995

This is the essential collection put out out on 625 (and Convoy) in 2001. It contains the amazing Dankstahz LP from 1994 (one of the best albums of the '90s) as well as various other recordings. Plutocracy blended grindcore, Black Panther politics, hip hop, and samples galore to create something wholly unique. Dankstahz, and the split with DA are some of the crowning achievements of the West Bay Koalition output.

Notes taken from the CD:
Tracks 1 to 6 were originally released as the Split EP with Discordance Axis on Slap A Ham. 
Tracks 7 to 16 were recorded live on KZSU in 1993 and are previously unreleased.
Tracks 17 to 3 released as the Dankstahz LP on Slap A Ham. 
Track 33 was originally released on the Freedom Denied EP. 
Track 34 is previously unreleased.
Tracks 35 to 40 were originally released as the Plutocracy - Progress? demo.

All tracks recorded at House of Faith except the live KZSU set.


Plutocracy 2000-2010

When Plutocracy returned nearly 5 years later, they came back as strong as ever. The "Sniping Pigz" LP recorded at House Of Faith in 1999 and released in 2000 on Six Weeks Records picks up right where the band left off. The hip hop intro, the sick riffs, the political samples and the extreme hatred for the police are all in full force here. An instant classic. After another hiatus, TEN years this time, Pluto releases the "Off the Pigs" 12" in 2010 on Forest Moon Special Projects. Time certainly hasn't slowed the band down, and they're as creative as ever. Also included here are 3 tracks recorded live when the band played CBGB in 2000. Excellent sound quality and an amazing performance.


No Le$$ - Lessons 1993-1998

The first time i heard No Less i was floored, as i am every time i listen to them. They were like no band before or since. Taking what Plutocracy did to the furthest extremes. Hardcore, psychedelic rock, blast beats, hip hop, samples (especially '70s exploitation films) and a heavy Black Sabbath vibe (all sometimes in the same song). They just did their own thing. Between 1994 and 1998 they released splits with Evolved to Obliteration, Agents of Satan, Laughing Dog, and Potato Justice. They also released the "Boxed In" 7" on Slap A Ham in 1997 as well as contributing tracks for nearly 10 compilations. This collection has all the tracks from the "Lessons 93-98" CD as well as 4 tracks (not on the Lessons CD) taken from the "Boxed In" 7". "Ruff and Tumble" and "Decapitated Pigz" being 2 of my faves from the band. No Less have a great exclusive track on the "Hymns For the Hearing Impaired" comp CD (1999) called "Frank Ripples Sick Ass Little Propane Stove That We Used To Cook Carne Asade And Sausage On Some Vegans Front Lawn". I'll be posting that comp soon as part of a compilation megapost.


Elephantman / Bastard Squad extended CD

From the Doomryderz blog:
Elephantman features Mike from Capitalist Casualties, and Frank from Agents of Satan, mixing up grind, punk and Sabbath riffs, with screaming in Japanese! ....not unlike that of Sleep, Iron Monkey, old Napalm Death and Capitalist Casualties....

Bastard Squad features the legendary Stinkweed from Plutocracy, No Le$$, and Go Like This, and Mike from West Bay psychos Apeshit, ripping up sickening riffage and fucked up samples....

These recordings are from 2004 and have not been released until now.
Better late than dead.

Elephantman: Recorded 4/3 at The Kompound.
All the songs have titles, but they are impossible to read, except #5. Lyrics in japanese.

Bastard Squad: Recorded 9/28/04 at House Of Faith, Oakland.

Both sides on the split are sick. Elephantman being more on the heavier side. Sabbath dirge mixed with frantic hardcore. Bastard Squad are a bit more on the metallic side. Demented in the usual Doomryders fashion. Such a crushing split that seems to have gone under the radar. Everyone into extreme music should know about this. Along with the split CD, i've also added the Elephantman 7" released in 2002 on Impatience Or Indifference Records. Seven tracks including a cover of Black Flag's "Thirsty and Miserable". I also threw in the track from the California Thrash Demolition comp CD released on 625 in 2005, as well as a Fearless Iranians From Hell cover called "Blow Up the Embassy" recorded during the split CD sessions. Ending the fun is an unknown track. 


Shed Dwellaz - 4-track Archives / Children of the Woods

This download contains 2 releases. The "4-Track Archives Vol. 1 (1996-1999)" and the "Children of the Woods" album. Both excellent.

"4-Track Archives Vol. 1 (1996-1999)"
From the Stinkweed bandcamp:
Recorded from the original 4 track tapes, mixed down to a 2 track digital master by DJ Eons One, Stinkweed Malone and Tizoe DaVinci in 2009.

This collection of Shed Dwellaz songs was mixed down from the original 4 track tapes in order to preserve songs we had recorded with our fallen comrade, Zodiak Iller aka Big Boy aka Dan Hogan. We sat on these mixes for years and with untimely passing of Stinkweed it is time that they finally see the light of day.

RIP Stinkweed
Released October 13, 2012
"Children of the Woods"
From the Stinkweed bandcamp:
Originally released in 2000
Released April 3, 2013

Beats and music arranged by Eons, Tizoe "Da Vinci", Grand Master Cylinder Stinkweed
Lyrics: Stnko, Tizoe, Lobiano, Zak1, Geno, Stretch, Shanky Tooth
Mixed by Bart "The Hit Man" Thurber
Green Stones.......... 
Also check out Shadow People.

Torture Unit - Demos and Live

West Bay Hardcore with members of Plutocracy, Spazz and others. This is total early '80s HC worship. We're talkin' raw ugly shit like Mecht Mensch, The Fix, No Labels etc. But this doesn't play out like a modern band emulating the '80s sound. This sound more like some long lost demo from 1984. The 2010 demo kills, and "Fuck War" is an instant classic. The track "Blinders" was included on the "Short, Fast & Loud" comp 10" put out by Six Weeks in 2011. Not sure if it's the same version as i haven't heard the comp yet. As a bonus i've included the complete set live at Hazmat, Oakland, CA from May 20, 2011. If anyone knows the names of the unknown tracks in the live set please get in touch or leave a comment.


I'm pretty sure my introduction to some of Stinkweed's bands was first hearing the El Guapo compilation LP released on 625 in 1994. Tracks by Agents of Satan, No Less and Deadbodieseverywhere blew me away. It was like discovering a whole new sound within the hardcore/powerviolence scene (still in it's infancy). El Guapo is still one of my fave comps of the '90s, and at one point i owned at least 3 copies (with different covers). Aside from a few bands i was already into, like Spazz and Benumb and I also discovered a shitload of great (mostly West Bay) bands on that comp, some of which would become faves. My 2 all-time favorite Benumb tracks are on there, and it's a shame those songs were never re-released on any of the band's albums. And what ever happened to S.B.C.? I loved that stuff, and as far as i know they never released anything since. The next Kindred related records i bought was the 976 / Plutocracy split 7" in 1991 and the Evolved to Obliteration / No Le$$ split 7" in '94. From there i just started picking up any and all records by Agents, No Less, Plutocracy and Deadbodieseverywhere (not sure how many tracks Stinkweed played on with this band, but i don't think it was many). I even got into some Meat Shits for a while. I've never been one for 45 second porn samples followed by 5 seconds of repetitious grind, but between roughly 1991 and 1993, when the members of Plutocracy were basically the "backing band" for Robert Deathrage, they had their moments for sure. Their best material (to me) is the second half of the "For Those About to Shit" CD comp (the first half is recordings with different incarnations of the band). But with the Pluto boys they had some pretty decent (even hardcore style) songs. Death Machine, Baptized in Shit, Sodomized (do i hear a MITB influence in there?) and my fave, Wanilla Ice Warriors (originally titled Crack Slave). I also like some of the early split 7"s with bands like AxCx and 7MON. Still, outside of a handful of tracks it's not really my thing, and that has nothing to do with the annoying PC Police. If a band wants to sing about porn, who gives a fuck. Although after 1993 the Shits did get pretty ugly, by anyone's standards. I only recently discovered Bastard Squad sometime in the past few years, and their split CD with Elephantman is one of the best splits of the past 5 years easily. Both bands are massive. Plus Go Like This, Kalmex and the Riffmerchants, Torture Unit, Barely Legal... and that's just the metal/HC side of it all. Stinkweed's hip hop projects are pretty fucking far from just some white kid rapping over beats on a laptop. Shed Dwellaz and Shadow People were the real deal. Tracks like Not Rilla, Tortured in the Temple, Night Trippers, Red Alert, Get Back Step Back, Whippersnapperz, , Casket Born Sonz, Disciples of Cyrus etc are as legit as it gets. Seems the guy could do no wrong musically. 

It would be hard to pick a fave Stinkweed release, but i'd either have to go with Plutocracy "Dankstahz" LP or the No Le$$ collection.What's your fave? Please eave a comment.

Ten Easter Eggs in this post. Happy hunting.